There are two Halloweens. One involves drunk co-workers quoting their favorite Netflix sitcom. The other is the Halloween of our youth, a collision of sugar and G-rated macabre, all nestled…
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There are two Halloweens. One involves drunk co-workers quoting their favorite Netflix sitcom. The other is the Halloween of our youth, a collision of sugar and G-rated macabre, all nestled in our earliest adult-free forays into the big mysterious world.
Cartoonist Charles Schulz captured the latter like no one else ever had or will. He somehow maintained a direct conduit to bona fide child innocence throughout his entire career, a claim that could be made by few beyond Mr. Rogers and Dr. Seuss. And nowhere was Schulz’s seemingly simple approach to reality better exemplified than in his Halloween strips.
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